Often we take that which we get (field of rough parts) and put the puzzle together as best we can. The images to the right show some persistence with 1920's Robertson and some evolution. The center scribe range is moving and shares have actually gained a generous base bead. Im suspicious that mid-section tenon might have been refused to accommodate a non-Robertson mount. That is among difficulties in using with old bagpipes - splitting something original from just what may possibly not be.
The images left are incredibly essential once we're today doing work in ivory. It is possible to nevertheless understand angular tuning chambers, but once more the middle scribe line from the ferrules features moved a little. Also extremely important is the "fountain" as Jack Dunbar used to describe it, in bell. This vanished down the road completely. Alos perhaps not the profile associated with the projecting supports together with information just beneath the bead.

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